A performance that, therefore, claims the place of the stage and that, centrifugal or centripetal, expanding or imploding, led me to the performativity of painting that looks like painting, to songs that sound like songs, to performance that can look like anything else… In the song “I’m beaming my dreams into your head” the artist’s head sings to himself in a performance that happened four decades ago. The intentional desire to underline the importance of the place of all the different moments of an artist’s journey in his head.