Curator: Margarida Mendes | Session: Hydrologics
We River puts in relation the Itaipu Dam, the second largest hydroelectric plant in the world, and whose process of land expropriation was a catalyst for the emergence of the Landless Workers’ Movement (MST); the Belo Monte Dam on the Xingu River, whose process of environmental licensing has been marked by a series of irregularities and profound indigenous resistance; the Bento Rodrigues Dam, which collapsed, releasing hazardous waste from the mining company Samarco and causing an unprecedented environmental disaster in Brazil; and, lastly, the Vale do Ribeira, where indigenous, caiçara and quilombola communities resist against the construction of a dam. The artist highlights the accumulated knowledge of the communities, in the construction of a collective body resisting the extinction imposed by development-oriented projects.
Courtesy of the Artist
Commissioned by the 32nd Bienal de Sao Paulo – Incerteza Viva